spacer Rutherford B. Hayes Rutherford B. Hayes (1822-1893)
Nineteenth President (1877-1881)

Republican presidential hopeful Rutherford B. Hayes went to bed on election night of 1876 thinking that he had lost the contest. But charges of ballot-tampering led to prolonged investigations of the vote count in several states. Out of this inquiry, itself marked by backstairs chicanery, Hayes finally emerged triumphant by a single electoral vote.

All of the irregularities surrounding his election led some to view Hayes as "His Fraudulency." But questions about his legitimate right to office did not prevent this former Ohio governor from being an able chief executive. Among his presidential accomplishments were the termination of the harsh policies that had been imposed on the South since the Civil War and the first significant steps toward curbing rampant corruption in the civil service.

Hayes's portraitist, Eliphalet Andrews, was the founding director of Washington, D.C.'s Corcoran School of Art. In addition to this bust portrait, the German-trained Andrews painted a three-quarter-length likeness of Hayes that now resides at the Rutherford B. Hayes Presidential Center in Fremont, Ohio.


Eliphalet Frazer Andrews (1835-1915)
Oil on canvas, 1861
On loan from the Corcoran Gallery of Art
L/NPG.1.92

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Rutherford B. Hayes Rutherford B. Hayes (1822-1893)
Nineteenth President (1877-1881)

Rutherford B. Hayes claimed the presidency only after a prolonged investigation into charges of voter fraud. Because the investigation itself was far from unbiased, the legitimacy of Hayes's accession has always been debatable. Still, he proved an able chief executive, and he took some of the first significant steps toward curbing the well-entrenched corruption in the civil service system.

Olin Warner sculpted this bust in the hope that the Republican Party would use replicas of it to promote Hayes's presidential candidacy. One party official wrote that the image might help discount the prevailing notion that Hayes "is a second-rate man." The replicating venture, however, never went beyond the talking stage.


Olin Levi Warner (1844-1896)
Plaster, 1876
National Portrait Gallery, Smithsonian Institution
Transfer from the National Museum of American Art; gift of Mrs. Carlyle Jones
NPG.76.27

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